Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead
Published · Updated
You may also like...
-
Remezcla: ‘The Two Popes’ Is a Surprisingly Funny Movie
by Film and Religion · Published September 20, 2019 · Last modified September 19, 2019
-
The Club: When films reveal the ugly truth
by Film and Religion · Published April 17, 2015
-
Glamour = champagne and a lady – “Gilda” (1946) – Wine in Films #37
by Gabor Por · Published July 2, 2025 · Last modified June 27, 2025
- Next story Satanic Humans: Using Satanic Tropes To Guide And Misguide The Audience
- Previous story Gnosticism, technology and the soul in Cuarón’s Gravity
Support This Site
Subscribe via Email
Recent Posts
- From personal particular to unified universal: One point on “Hamnet” (UK, 2025)
- White wine vs. black fingernail – “Jolt ” (2021) – Wine in Films #67
- Opening up – “Double Threat” (2022) – Wine in Films #66
- Hallucinated wine – “Slingshot” (2024) – Wine in Films #65
- Wine as accentuator – “Délicieux / Delicious” (2021) – Wine in Films #64
- Thawing agent – “This Beautiful Fantastic” (2016) – Wine in Films #63
- Not so easy girl – “Baby Face” (1933) – Wine in Films #62
- Moment of doubt – “Madklubben/Food Club” (2020) – Wine in Films #61
- Wine racks and Alan Rickman – “Bottle Shock” (2008) – Wine in Films #60
- 19 films from July 2025 in the “wine in films” series







