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This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala
by Film and Religion · Published September 4, 2014
by Film and Religion · Published October 6, 2014 · Last modified September 29, 2015
by Film and Religion · Published February 11, 2015 · Last modified February 10, 2015
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