Mozart & Salieri, Cain & Abel: A Cinematic Transformation of Genesis 4
Published · Updated
You may also like...
-
Articles added to FilmandReligion.com in June 2016
by Gabor Por · Published July 1, 2016 · Last modified May 29, 2016
-
Melissa Mathison dies at 65; screenwriter of ‘Kundun’
by Film and Religion · Published November 5, 2015 · Last modified April 5, 2016
-
Find something that keeps you going – Thoughts on “We’re All Gonna Die” (USA, 2024)
by Gabor Por · Published July 25, 2025
- Next story Religion, Blasphemy, and Tradition in the Films of Lucio Fulci
- Previous story “The Fairy Tale is True”: Social Technologies of the Religious Supernatural in Film and New Media
Support This Site
Subscribe via Email
Recent Posts
- White wine vs. black fingernail – “Jolt ” (2021) – Wine in Films #67
- Opening up – “Double Threat” (2022) – Wine in Films #66
- Hallucinated wine – “Slingshot” (2024) – Wine in Films #65
- Wine as accentuator – “Délicieux / Delicious” (2021) – Wine in Films #64
- Thawing agent – “This Beautiful Fantastic” (2016) – Wine in Films #63
- Not so easy girl – “Baby Face” (1933) – Wine in Films #62
- Moment of doubt – “Madklubben/Food Club” (2020) – Wine in Films #61
- Wine racks and Alan Rickman – “Bottle Shock” (2008) – Wine in Films #60
- 19 films from July 2025 in the “wine in films” series
- At the round table of sisters – “The Electrical Life of Louis Wain” (2021) – Wine in Films #59