The Rise of Islamic Values in Media: A Three Dimensions Analysis of Film Industry in Indonesia
Published · Updated
You may also like...
-
The Seer: A Portrait of Wendell Berry
by Film and Religion · Published March 30, 2016 · Last modified April 5, 2016
-
Spiritual stepcounter, aka thoughts on “The Two Popes” (USA, 2019)
by Gabor Por · Published March 22, 2020
-
Books added to FilmandReligion.com in April 2016
by Gabor Por · Published May 2, 2016 · Last modified August 19, 2019
- Next story All Men Must Die, but We Are Not Men’: Eastern Faith and Feminine Power in A Song of Ice and Fire and HBO’s Game of Thrones
- Previous story The Canon, the Criterien Collection and the Question of Cinematic Religion
Support This Site
Subscribe via Email
Recent Posts
- White wine vs. black fingernail – “Jolt ” (2021) – Wine in Films #67
- Opening up – “Double Threat” (2022) – Wine in Films #66
- Hallucinated wine – “Slingshot” (2024) – Wine in Films #65
- Wine as accentuator – “Délicieux / Delicious” (2021) – Wine in Films #64
- Thawing agent – “This Beautiful Fantastic” (2016) – Wine in Films #63
- Not so easy girl – “Baby Face” (1933) – Wine in Films #62
- Moment of doubt – “Madklubben/Food Club” (2020) – Wine in Films #61
- Wine racks and Alan Rickman – “Bottle Shock” (2008) – Wine in Films #60
- 19 films from July 2025 in the “wine in films” series
- At the round table of sisters – “The Electrical Life of Louis Wain” (2021) – Wine in Films #59