Reading Bond Films through the Lens of “Religion”
Published · Updated
You may also like...
-
What the Wine? #8: Red from “Butlers in Love”
by Gabor Por · Published February 9, 2022
-
Is this really wine? – “The Chosen One S01E03” – What the Wine? #21
by Gabor Por · Published September 13, 2023 · Last modified September 11, 2023
-
Su Re (2012; The King): A New(ish), Italian(ish), Jesus Film
by Film and Religion · Published August 5, 2015
- Next story Buddhism and Catholicism at the movies
- Previous story “Evil” images in At Play in the Fields of the Lord: evangelicals and representations of sexuality in contemporary film
Support This Site
Subscribe via Email
Recent Posts
- White wine vs. black fingernail – “Jolt ” (2021) – Wine in Films #67
- Opening up – “Double Threat” (2022) – Wine in Films #66
- Hallucinated wine – “Slingshot” (2024) – Wine in Films #65
- Wine as accentuator – “Délicieux / Delicious” (2021) – Wine in Films #64
- Thawing agent – “This Beautiful Fantastic” (2016) – Wine in Films #63
- Not so easy girl – “Baby Face” (1933) – Wine in Films #62
- Moment of doubt – “Madklubben/Food Club” (2020) – Wine in Films #61
- Wine racks and Alan Rickman – “Bottle Shock” (2008) – Wine in Films #60
- 19 films from July 2025 in the “wine in films” series
- At the round table of sisters – “The Electrical Life of Louis Wain” (2021) – Wine in Films #59