- Author(s): Dora Carpenter-Latiri
- When: 2016-02
- Where: Journal of African Cinemas
In this article I will examine three films featuring Maghrebi migrant families between the 1960s and the present day, Le Gone du Chaâba (1997) by Christophe Ruggia, Inch’Allah Dimanche (2001) by Yamina Benguigui and Le Grand Voyage (2004) by Ismaël Ferroukhi. Each film portrays tensions between generations, between sexes, between societies and between beliefs and values. The tradition of the sacrifice of a sheep in Islam features in all three films and I use this theme to highlight how different members of the families sacrifice themselves or are sacrificed in the process of accommodating to a new way of life. I also deconstruct other subtextual references to Islamic culture and belief as representations of dilemmas and forms of reconciliation and belonging.