Published · Updated
This article investigates the representation of Buddhist values through the interplay between drama and documentary in two of Kore-eda’s films—After Life (Wandafuru Raifu, 1998) and I Wish (Kiseki, 2011). It will argue that the spiritual aspirations of these two films is a product of their nondualistic treatment of a documentary and dramatic style of filmmaking.
by Film and Religion · Published February 2, 2015 · Last modified February 1, 2015
by Film and Religion · Published November 2, 2015 · Last modified April 5, 2016
by Film and Religion · Published February 26, 2015
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