Superhero Films: A Fascist National Complex or Exemplars of Moral Virtue?
Published · Updated
You may also like...
-
Lee’s Strange Vampire Saga Turns Sour in Da Sweet Blood of Jesus
by Film and Religion · Published February 26, 2015
-
A Son’s Sacrifice
by Film and Religion · Published May 21, 2015 · Last modified May 18, 2015
-
What the Wine? #3: Red from “Amarração do Amor/Love Spell”
by Gabor Por · Published January 27, 2022 · Last modified January 28, 2022
- Next story Who is Like God? The Deer Hunter as Angelic Allegory
- Previous story Biblical Coens: Can We Laugh Now?
Support This Site
Subscribe via Email
Recent Posts
- From personal particular to unified universal: One point on “Hamnet” (UK, 2025)
- White wine vs. black fingernail – “Jolt ” (2021) – Wine in Films #67
- Opening up – “Double Threat” (2022) – Wine in Films #66
- Hallucinated wine – “Slingshot” (2024) – Wine in Films #65
- Wine as accentuator – “Délicieux / Delicious” (2021) – Wine in Films #64
- Thawing agent – “This Beautiful Fantastic” (2016) – Wine in Films #63
- Not so easy girl – “Baby Face” (1933) – Wine in Films #62
- Moment of doubt – “Madklubben/Food Club” (2020) – Wine in Films #61
- Wine racks and Alan Rickman – “Bottle Shock” (2008) – Wine in Films #60
- 19 films from July 2025 in the “wine in films” series