The Memory of an Ideal School: The Work of Don Lorenzo Milani as Represented by Cinema and Television (1963–2012)
Published · Updated
You may also like...
-
Kidron: The shared wonder of film
by Gabor Por · Published August 5, 2014
-
‘Little Boy’: Changing the culture, one film at a time
by Film and Religion · Published April 16, 2015
-
What the Wine? #6: Red from “Raising Dion”; Issue #201
by Gabor Por · Published February 2, 2022
- Next story Groundhog Day at 25: Conflict and Inspiration at the Tipping Point of Seasonal Genres
- Previous story The Global Afterlives of Silence
Support This Site
Subscribe via Email
Recent Posts
- Disturbed? Call the cops – “The Christmas Chronicles” (2018) – Wine in Films #44
- Wine as a religious symbol – “Valerie and Her Week of Wonders” (1970) – Wine in Films #43
- Drowning the sadness of parenting – “…ing” (2003) – Wine in Films #42
- Awkward dinner – “A Real Pain” (2024) – Wine in Films #41
- Ingredient for seduction – “Hector and the Search for Happiness” (2014) – Wine in Films #40
- Château Lafite 1828 – “The Sandmand: Season of Mists S2.E1” (2025) – Wine in Films #39
- Fake feast, fake wine? – “Dr. Bird’s Advice for Sad Poets” (2021) – Wine in Films #38
- Glamour = champagne and a lady – “Gilda” (1946) – Wine in Films #37
- Chilling with chilled white wine – “Old Dads” (2023) – Wine in Films #36
- Why Wes Anderson Changed His Mind About God In ‘The Phoenician Scheme’