Leo McCarey has received little attention from film scholars. His sentimentalizing his Catholic background and his preoccupation with anti-Communism obscured the lasting value of much of his work. His concern with sin and forgiveness form a major motif of his works, from the early comedies to his later serious dramas.
by Film and Religion · Published September 29, 2014 · Last modified September 26, 2014
by Film and Religion · Published April 1, 2016 · Last modified April 5, 2016
by Film and Religion · Published July 28, 2015
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