Islam, Consciousness and Early Cinema: Said Nursî and the Cinema of God
Published · Updated
You may also like...
-
A Win for Maryam in Venice and With It, Indonesian Cinema
by Film and Religion · Published September 23, 2014 · Last modified September 25, 2014
-
Calvary review: Brendan Gleeson faces a holy terror
by Film and Religion · Published August 1, 2014 · Last modified August 6, 2014
-
Wine as a religious symbol – “Valerie and Her Week of Wonders” (1970) – Wine in Films #43
by Gabor Por · Published July 11, 2025 · Last modified July 9, 2025
- Next story Movies as myths: An interpretation of motion picture mythology
- Previous story Woody Allen’s Theological Imagination
Support This Site
Subscribe via Email
Recent Posts
- White wine vs. black fingernail – “Jolt ” (2021) – Wine in Films #67
- Opening up – “Double Threat” (2022) – Wine in Films #66
- Hallucinated wine – “Slingshot” (2024) – Wine in Films #65
- Wine as accentuator – “Délicieux / Delicious” (2021) – Wine in Films #64
- Thawing agent – “This Beautiful Fantastic” (2016) – Wine in Films #63
- Not so easy girl – “Baby Face” (1933) – Wine in Films #62
- Moment of doubt – “Madklubben/Food Club” (2020) – Wine in Films #61
- Wine racks and Alan Rickman – “Bottle Shock” (2008) – Wine in Films #60
- 19 films from July 2025 in the “wine in films” series
- At the round table of sisters – “The Electrical Life of Louis Wain” (2021) – Wine in Films #59