Thomas M. Martin‘s “Images and the Imageless: A Study in Religious Consciousness and Film” advances the theory that film, as a popular art form, is a reliable gauge of present consciousness, and should not be ignored by students of religious thought. This book presents film as both a reflector of society’s basic identity and a creative force in changing that identity, and suggests the common movements of religious thought and film.
Martin: Images and the Imageless: A Study in Religious Consciousness and Film (1991)
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